The Mysteries of the Hondo Guitar

Tuesday, 29 August 2017

Where was my Hondo guitar made?

There's a lot of confusing information on Hondo guitars out there, some of it thanks to eBay profiteers and some just plucked out of thin air. I will try and keep this brief and concise. Ready?

HONDO DO NOT MAKE GUITARS

The name Hondo was applied to guitars imported from eastern countries such as Japan, Korea and possibly even Indonesia by a company called International Music Corporation (IMC). Factories made guitars with blank headstocks and importers would apply their own logo. Companies including Antoria and Ibanez had almost identical Les Pauls to Hondo in the early 70s, for example.

What Hondo did do in the 80s was enter into a partnership with the Korean manufacturer Samick and all Hondo branded guitars were made in Korea after this time with the possible exception of a few extremely budget instruments seemingly being made in Indonesia. There are suppositions that Hondo worked with engineers from legendary Japanese manufacturer Tokai to get the Korean operation up to standard, though I have not been able to substantiate this. Tokai did make Fender copies for Hondo in the late 70s so their involvement is possible.

Please beware when reading listing on internet auction sites. They are often wrong and make assumptions about Hondo guitars because the name sounds like the Japanese motor company "Honda" and they have read somewhere that Hondo had an association with Matsumoku and Tokai (in actual fact, guitars were made in these factories for only a relatively short time).

The greatest reply I had from a seller I was interested in purchasing from was that thanks to the stigma surrounding Japanese made products following World War 2, Hondo and other companies would write Korea on their Japanese made instruments so buyers, particularly in the US, would not be put off.

NOT ALL HONDO GUITARS WERE MADE IN JAPAN

Contrary to listing on internet auction sites, a lot of later Hondo guitars were made in Korea. If the country of origin of your guitar matters to you, you best read on! Below is a rough outline of where Hondo guitars were made and when.

60s: Japan

Hondos made at this time tended to look like the model to the left: loosely based on the hugely popular Fender Stratocaster but ultimately crudely made by Fender standards. Nonetheless, these early Japanese guitars are often considered quite collectible.

Early 70s: Japan

In the early 70s, Japanese guitar manufacturing took a small step forward and Hondo wanted to underline this by rebranding as "Hondo II". Bodies were often made of plywood, necks were always bolted on rather than set like their American counterparts but they began to at least look the part.

Identical guitars can be found with names such as Antoria and Ibanez on the headstocks - other importers deciding to add their own name to these mass-produced instruments.

At this time, Hondo tried to differentiate themselves from these other importers by partnering with DiMarzio, the first company to offer off-the-shelf replacement pickups. The standard pickups on these guitars were often very poor, the humbuckers in particular being single coils housed inside a humbucker casing. Hondo became an OEM for DiMarzio in a deal not dissimilar to modern gutiars with "Duncan Designed" pickups today, and offered them as an option for many Hondo models to help improve the sound with reasonable success.

Models with DiMarzio pickups would have a modified code. For example, a HLP (Hondo Les Paul style) would become a HDLP if it had DiMarzio pickups installed.

1979-81 (approx.): Matsumoku and Tokai, Japan

In the late 1970s, Japanese guitar production took a massive step forward. This culminated in the so-called "lawsuit" era when certain Japanese instruments were said to be of such a high quality that they rivalled their American counterparts to a point where the Japanese companies were hit with cease and desist letters. (Long story but the lawsuit didn't actually happen, it basically just threatened the Japanese companies if they continued to make guitars with Fender or Gibson shaped headstocks).

The Matsumoku factory handled Gibson style models (and also an S.D. Curlee licensed model) while the Fender style copies were made by Tokai. All these Japanese guitars were part of the Hondo Professional Series, denoted on the headstock of each. The Fender copies had "Made in Japan" printed on the headstocks while the Matsumoku guitars would have a black and gold "Made in Japan" sticker somewhere on the rear either at the heel of the neck or near the tuners. Some of these guitars had DiMarzio pickups but by no means all of them.

The Professional series first appeared in around 1979 and was last advertised in the 1981/82 cataolgue when the range was expanded to include guitars based on the Danelectro Longhorn and some Musicman examples. It has been said that providing such high quality guitars nearly bankrupted IMC and made cause for a re-think.

1982 onwards: all guitars made in Korea

It is said that Hondo partnered with Samick in Korea to create all of their instruments after this time. Some guitars were aimed at beginners, while the Deluxe Series seemed to aim to build on the success of the Professional Series, presumably while lowering manufacturing costs. There is little evidence of DiMarzio pickups being used after 1982, although Grover tuners were not uncommon as stock.

Hondo also added sub-brands such as Revival, Fame, All-Star and Mastercaster. Each of these had a slightly different aesthetic. It is not unfair to say that Hondo did their absolute best to provide interesting and unusual instruments that would be different from their competitors. Lots of unique colour combinations and hardware options were always prominent throughout the Hondo ranges right through into the 90s.

The Anomaly

This looks a lot later than the majority of Hondos I've seen and certainly looks like a resurgence of the HondoII logo not used since the late 70s. I say this because this guitar looks like it was made in the 90s to me, the carefully shaped plastic truss-rod cover looking much newer than those on the 70s Hondo Strats. Who knows?!

A Basic Guide to Hondo Pickups

It is very important to remember that DiMarzio pickups were only an option on certain Hondo guitars. Not every Hondo guitar had DiMarzio pickups in it. For the short period they did, the humbuckers were copies of the Super Distortion model and so were uncovered humbuckers with no adjustable pole screws. If the humbuckers have pole screws they are not DiMarzios. If the humbuckers have metal pickup covers they are not DiMarzios. If you unscrew the surrounds and look at the bottoms of the pickups themselves they will have the words "DiMarzio Pickups Made in U.S.A" written on them. Single coils are a little harder to identify but the humbuckers are easy.

Don't believe everything you read

The internet has taught me that if someone writes something once and someone else reads it, it can very quickly become "the truth", even if there is no evidence to prove it. This is the case with the supposed country of origin of Hondo guitars and particularly their pickups. Sellers across the internet will post a Hondo guitar and will automatically write "Made in Japan" and "original DiMarzio pickups" on their listing with little to no idea if that description is accurate or not. In some quarters, this is called deceit, extortion, immoral and many other things but for now we'll go with... I suppose naivety and laziness if we give some of these people the benefit of the doubt.

You may wish to read up on the history of Hondo guitars before you delve into the exciting world of pickup nuances, but essentially Hondo guitars started out with very poorly manufactured Japanese instruments in the 60s, became very slightly better in the early to mid 70s, were souped up with optional replacement hardware in the mid to late 70s and then from the very end of the 70s through the 80s were significantly better, though some poorer budget models still made it to market.

It seems all Hondo electric guitars from the late 60s through the mid to late 70s were made in Japan. Contrary to what people will tell you about all Japanese guitars being excellent quality and very desirable for players, these were either very primitive looking original designs (extremely loosely based on Fender Stratocasters) or, slightly later on, cheap Les Paul and Fender copies. Some people still find them collectible, most likely due to the low prices, but it was not until the latter half of the 1970s that Japanese electric guitar production really staked it's claim for the "lawsuit" reputation it now holds.

60s Hondo EG202

70s Hondo Les Paul copy

While these early 70s copies looked reasonable upon first glance, their bodies were often made of plywood, their tuners were extremely cheap and any pickups that looked like humbuckers on the outside were often single coils disguised in a metal humbucker style case.

In an effort to shift customers' perceptions of the Hondo brand, they enlisted the help of pickup maker DiMarzio who revolutionised the guitar world in 1972 by producing the first after-market replacement pickup that could be fitted to any guitar with a humbucker route to improve it's output and overall sound - the now legendary (thanks in no small part to one Kurt Cobain some 15 years later) Super Distortion.

The Les Pauls that Hondo imported from Japan to it's markets in the US and Europe were made in the same factory for all sorts of brands (Antoria, Seville, Salvarez and several others are extremely similar instruments). Hondo saw this replacement pickup as the perfect way to easily distinguish their guitars from the identical competition and advertised their OEM (Original Equipment Manufacturer) DiMarzio pickups as an optional upgrade to all Hondo guitars in a deal that I suppose is not dissimilar to modern day guitars that have "Duncan Designed" pickups.

Hondo ad from 1978

Another late 70s ad

The DiMarzio humbuckers used were very similar to the K-10 - what is now called the Super 2 - but with the adjustable hex poles "filled in". The DC reading generally seems to have been between 8.5k and 9k but the output is reportedly as strong as a standard Super Distortion, albeit with less compression and more articulation. There were also single coil and bass models to fit Hondo's other guitars.

If a Hondo guitar had DiMarzio pickups fitted, it's normal model name would have a "D" added. For example, if a HLP-2B was fitted with DiMarzios, it would become a HDLP-2B. This was clearly displayed on a sticker to the rear of the guitar and assisted by a "DiMarzio Powered" sticker proudly applied to the pickguard.

DiMarzio Powered sticker

Hondo's association with DiMarzio appears to have ended in the early 80s when Hondo stopped importing guitars from Japan and had their guitars manufactured solely in Korea.

HONDO OEM DIMARZIO OPEN COIL HUMBUCKER

Usually black finish with no adjustable pole screws, slightly lumpy looking slugs and no pickup cover. Pickup base stamped "DiMarzio Pickups Made in U.S.A". Mostly fitted to earlier Les Paul Custom style copies. Reports of the DC reading are generally between 8.5k - 9k
Other guitars that appear to be fitted with DiMarzios include the Chiquita,

HONDO KOREAN OPEN COIL HUMBUCKER

Usually black finish with adjustable pole screws in more traditional PAF style. Adjustment screw on bridge pickup surround has been changed. No markings to the rear of neck pickup, bridge pickup will be investigated during next major string change. Likely made in Korea along with the guitar.
These photos are taken from my own Hondo Deluxe Series H935. Although the seller believed these to be original DiMarzios, unscrewing them and looking at the bottom proved otherwise. However, according to their own website, DiMarzio state that high output pickups are difficult to control on hollow and semi hollow guitars and so are unsuitable for this application anyway.

HONDO MADE IN JAPAN COVERED "HUMBUCKER"
Another Hondo aficionado on the internet refers to these as "unbuckers" given that they are simply a single-coil pickup in a humbucker case. The picture clearly shows the other half of the chrome case is filled with foam rather than the other half of a humbucker pickup! The "fakebucker" guy says he actually rather likes the tone of these pickups as it is quite unique, though they don't sound at all like a humbucker as their casing suggests.

Tuesday, 20 January 2015

Solving the Mysteries of the Hondo Guitar

Information regarding Hondo guitars on the internet is sparse at best, confusing at worst. This page exists to collate as much evidence and research, both anecdotal and substantiated, to dispel the myths and hearsay that often misleads owners, buyers and sellers.

Be aware that some of the information herein is purely conjecture. I will endeavor to make clear the difference between facts and educated guesses. If you have any information that might help support an assumption, or just as importantly disprove one, please get in touch and help generations of Hondo enthusiasts to come!

Wednesday, 14 January 2015

Hondo Deluxe Series H935 (Revival H935, Fame H935, Harmony H935, Antoria EG1935)

What we know:

The H935 model was released in several variations. They are all based on the Gibson ES-335 shape. It could even be said that the intention was to copy the very earliest Gibson designs with particular attention paid to the detail of the "Mickey Mouse" ears on the body.

It has been stated that Hondo made guitars in Japan from 1974. In 1983, all production is supposed to have returned to Korea, though some Korean production appears to have started before this date. All Hondo H935s have a copyright sticker that says 1981 on it. This has no bearing on the precise date of manufacture, though is obviously very likely to be after 1981, perhaps as late as the early 1990s.

HONDO PROFESSIONAL (H-1030)
Model code: Unknown
Country: Japan
Factory: Matsumoku
Years of manufacture: Suspected approximately 1979-1981
Pickups: Unknown
Body Material: Unknown
Neck: Suspected mahogany
Bridge: ABR-1 style tune-o-matic
Tuners: Likely generic
Hardware: Gold

Hondo Professional Series
Pickguard and knobs likely replaced

What a way to start an article on Hondo 935 guitars than with a model called the H-1030?! But in the interests of chronology...

The Hondo Professional Series were made in Japan at the end of the 70s and into the very early 80s. The Gibson-y copies were handled by the Matsumoku factory while the more Fender-like guitars were made by Tokai.

The H-1030 was likely a high-end 335-style copy. It shares similar traits with the Matsumoku-made Epiphone Rivieras of the time such as the witch-hat knobs and skinny tune-o-matic bridge.

No binding inside f-holes

Hondo II logo and Professional emblem
No binding on neck or headstock
Nut appears to be brass

Nice grain to the rear

Maiden Voyage ad from 1981
Guitar is a vintage sunburst professional model
Lady is unclothed

Professional in Cherry
Pickups replaced

HONDO H935 DELUXE SERIES (non-bound model)
Model code: H935WA(walnut), vintage sunburst unknown, H935CS (cherry sunburst)
Country: Korea
Factory: Likely Samick
Years of manufacture: Suspected approximately 1981 onwards
Pickups: Unknown (but confirmed NOT DiMarzio) uncovered humbuckers
Body material: Unkown, possibly laminated maple
Neck: Mahogany
Bridge: ABR-1 style tune-o-matic
Tuners: Unknown, suspected generic Korean
Hardware: Gold

Deluxe H935 with mis-stamped headstock
Note lack of binding on f-holes and neck

The Hondo Deluxe Series H935s featured a walnut finish with a symmetrical tiger flame in the wood grain or a plain top with vintage sunburst or lightburst finish, open coil pickups and "gold" hardware. It's neck and headstock were unbound. It also sported an ABR-1 style tune-o-matic bridge and a stamp on the truss rod cover stating the model details and Deluxe Series status. The "Circle H" logo was used to denote the brand.

The headstock is the modified Hondo II shape - essentially a Gibson shape with chunks cut out. This slightly unusual shape is no doubt a result of pre-manufactured parts with a more traditional Gibson "open-book" shape that had to be modified (rather than thrown away at great financial loss) in order to avoid legal action from Gibson who, in the late 1970s, threatened Japanese manufacturer Ibanez with a lawsuit pertaining to the copying of Gibson headstock shapes and original guitar designs (Fender also threatened similar action).

The pickups are PAF style humbuckers. On my own H935, they have no evidence of the DiMarzio logo (photos to be added next time I take the guitar apart) and I have no evidence to suggest Hondo were still using DiMarzio pickups at this point.

The label inside the guitar states, as with all H935s after this period, that the guitar is "©1981 International Music Corp". There is evidence that H935s were manufactured into the 1990s so the label cannot be used as an accurate indicator of the year of manufacture. The improvements made to the bound variant of the H935 leads me to believe that this is the earlier of the two Hondo-branded models.

This model has also been seen with the brand name "Seville" on the headstock.

Headstock with Deluxe 935 stamp

H935WA sticker

Pickups are PAF replicas, not DiMarzio
Note the smaller ABR-1 style bridge

Original knobs with "turret" tops
Note lack of binding on f-hole

Inner label with (c)1981 International Music Corp text
The f-hole "binding" is actually white paint
Photo is of my personal H935

Deluxe Series stamp in the wrong place
Tuners have been replaced

Headstock missing Deluxe stamp altogether
The gold hardware suggests it was simply forgotten

H935 in vintage subnburst
Deluxe stamp missing again from headstock
Pickup is chrome, not gold, so is likely a replacement

Smaller ABR-1 style bridge still present
Top is not flamed on vintage sunburst model

Neck construction appears to be mahogany
Generic Hondo tuners can be seen
Gold hardware in keeping with Deluxe Series

Deluxe H935 in lightburst
2 knobs replaced
Has unusual bridge and potentially replaced guard

SEVILLE S335
Model codes: Unknown
Country: Korea
Factory: Likely Samick
Years of manufacture: Unknown
Pickups: Unknown uncovered humbuckers
Body material: Likely laminated Maple
Neck: Likely mahogany
Bridge: ABR-1 style tune-o-matic
Tuners: Unknown, suspected generic Korean
Hardware: Gold

Seville S335
Many features shared with Hondo H935s

I only discovered the Seville S335 after I had looked into all the Hondo and Antoria/Harmony models. It may have made my research a lot simpler as it seems to dispel the myth that the Professional and Deluxe series were made in Japan as I had previously thought due to their differences from the later models.
The Seville S335 appears to be identical to the earlier H935s, down to the lack of binding and pickups. Seville copies are generally assumed to be exactly the same as Hondos, albeit with a different name on the headstock. This goes as far back as the early 1970s when Hondo also made cheap Les Paul copies. The Seville model was exactly the same.

It is through this website that I can all but confirm the origin of the earlier H935s as Korean as the user states their Seville S335 has a label stating Made in Korea. The only images I have been able to find are grabbed from a relatively low quality video on YouTube of someone playing their Seville so have not yet seen photographic evidence of this Korean label but can state with a good degree of certainty that the S335 and all other H935s were made in Korea.

F-holes and neck unbound
Pickup uncovered

Seville logo
Gold hardware evident

Headstock shape same as Hondo
Video on YouTube shows this better

HONDO H935 DELUXE SERIES (bound model)
Model codes: H935WA (walnut), H935CH (cherry), H935CS (cherry sunburst), lightburst unknown
Country: Korea
Factory: Unknown
Years of manufacture: Suspected 1982 onwards
Pickups: Unknown covered humbuckers
Body material: Unknown
Neck: Maple
Bridge: Nashville style tune-o-matic
Tuners: Unknown, suspected generic Japanese or Korean
Hardware: Chrome

Deluxe H935 in Cherry finish
Note f-hole, neck and headstock binding

The H935 model seemed to undergo an evolution at some point in its life. The first H935 definitely had a mahogany neck as I own one.

Seemingly after this, the H935 became much heavier thanks to the inclusion of a maple neck, making the guitar more akin to a Gibson ES-340 or Epiphone Riviera in its construction.
It seems the earliest maple-necked H935s missed out binding from their necks but later on had binding on everything including the headstock and f-holes.

The top generally has a more plain grain compared to the unbound model, though there are a few examples with the same tiger flame as the non-bound model. The bridge is no longer a vintage-style ABR-1 tune-o-matic but a variant of the less rattly Nashville style, being thicker than the Gibson equivalent. The pickguard is longer and extends to the bridge, a specific detail that mirrors the first 2 years of Gibson ES models.

The refinements to the bound model would generally be considered improvements. This and the presence of the "Circle H"logo leads me to believe that the bound variants are the later of the two.
The first guitar pictured below had a Made in Korea sticker on the back of the headstock and although the picture was too low res to see it, this was only confirmed when the seller informed me that all Hondos:

"..were made exclusively in Japan until 1988 but from the early-mid 1980's were branded as "Made In Korea" almost as a marketing ploy. My main guess is that the Japanese builds coming out at the time from Fender/Gibson that were made in Japan were supposedly of poor quality (seems strange given quality of builds today) and Hondo looked to pass off Japanese builds as Korean to get away from that stigma."

The above is utter tosh, in my opinion, just for the record!

The pickups in my own H935CS are really powerful and warm. They really drive a valve amp nicely - great with a Fender Deluxe or DeVille. The Grover tuners are a welcome addition although one of mine appears to have been replaced as it has a shorter post than the others.

One problem which seems to be common among these guitars is the truss road becoming stuck. When I was first looking for a H935, I found one of the fully-bound variants online and brought it straight away from a small guitar shop up North somewhere. After a few phonecalls with the owner of said shop, it turned out the guitar was suffering from some fret buzz so he'd need to do a bit of a set up before he'd be happy sending it out to me.

Another phone call and it appeared the truss-rod was stuck so the adjustment couldn't be made, and another call a week or so later confirming that his truss-rod expert had been unable to free it so the guitar would unfortunately be going to that guitar-heap in the sky. If I'd known now what I knew then, I'd definitely have offered him a few quid for the pickups! Unfortunately the same fate has befallen my own H935CS. It plays fine for now but one day will be unadjustable. Still, it cost just £60 on Gumtree and I've had more than £60 worth of fun out of it.

Also worth noting is that the larger Nashville-style bridges are unique to these guitars. If you lose it, only another Hondo replacement will fit thanks to the size of the posts.

Comparing the early H935WA I own and this, it is clear they are very different guitars. The WA is much lighter and has a lower output, more retro sound. The CS is definitely the better guitar and the pickups are wonderful but it's heavy even compared to my Les Paul and the colour is pretty rotten (Tomato Soup Burst!).

Bound Deluxe H935 with non-original knobs
Note larger bridge, pickup covers and lack of flame
Pickguard has been removed

Bound Deluxe H935 headstock
Binding also extends to the headstock perimeter
Tuners may be original as several shapes were used

H935WA sticker
Flame is missing from rear as well as front

Deluxe H935 with aftermarket "Bigsby" trem
Note the flame top, though facing in the opposite direction to the Deluxe
Tuners appear to be Grovers as per Revival model, unsure if original

Deluxe 935 in less common lightburst
Tuners appear to be Grovers, unsure if original
Larger pickguard extends to the bridge

HONDO REVIVAL H935
Model codes: H935RS (cherry sunburst), H935CH (cherry), H935CHTT (cherry flame), vintage sunburst unknown, lightburst flame unknown
Country: Korea
Factory: Likely Samick
Years of manufacture: Serial numbers evidenced from 1980 - 1990
Pickups: Unknown covered humbuckers
Body material: Unknown, suspected maple laminate
Neck: Suspected maple on all models except cherry flame (mahogany)
Bridge: Nashville style
Tuners: Grover Rotomatic kidney bean shape
Hardware: Chrome

Hondo Revival H935

The Hondo Revival has been seen in 3 finishes - cherryburst, brown sunburst (similar to a 2-colour Fender sunburst as opposed to the darker Epiphone vintage sunburst) and cherry. The majority of Revivals had plain tops but there are rarer examples with tight flamed tops and double-bound bodies.
The Revival differs from the early Hondo Deluxe in that it has covered pickups and an extra thick Nashville style tune-o-matic bridge. All revivals were fitted with Grover Rotomatic tuners. The neck is lighter in colour than the Deluxe Series and is likely maple, which goes some way to explaining anecdotal evidence that these guitars are particularly heavy.
Due to the open-book Gibson style headstock, many sellers believe these guitars to be made in the pre-lawsuit era, ie. pre-1979. This can not be the case, particularly as the label says copyright 1981. The oft mentioned lawsuit also never actually happened, it was only threatened, and as far as I can tell only applied to guitars sold in America. The Revival series appears to have been intended for the European market and may explain why this particular model managed to sport such a headstock shape in the face of threatened legal action from manufacturers in America.
Engineers from Tokai were allegedly drafted in by Hondo to help establish factories in Korea. However, having referenced all Hondo Revival H935 serial numbers I can find with the information at the Tokai Registry, every number matches. Tokai did not build guitars in Korea until around 2000 but there is almost solid proof below that the Revival H935 was made in Korea in the Fame H935 section.
If Tokai engineers' involvement in helping Hondo set up Korean operations is true, then it may be that the factory used by Hondo and no doubt other importers of instruments (see below for 2 further examples) in Korea was later used by Tokai when they started marketing and selling Korean made instruments in the early 2000s. There may have been greater input from Tokai to the Hondo project than I am aware, given that they appear to have the same serial numbering system. More information is needed to be 100% certain but much evidence points to this being the beginning of Tokai-lead Korean operations for manufacturing instruments.
Unlike their 70s range of guitars, many 80s Hondos were made outside of Japan and were generally of decent entry-level quality. However, it would appear through similar serial number checking that Tokai also produced copies of Fender guitars for Hondo's Professional series in Japan (Strats, Teles and the less common Lead II) which were clearly marked Made in Japan on the headstock. These were marketed to pro players and are widely regarded as far superior quality to "regular" Hondos and perhaps obviously, comparable in quality to Tokais of the time.

Flametop Revival H935 in lightburst
Unusually fitted with ABR-1 style bridge

Cherry Revival H935 with flame finish
Sticker and model numbers are still the same

Cherryburst Revival H935 sticker

Label is the same as Hondo Deluxe Series

Serial number matches Tokai,1980
Grover tuners appear to be standard

Revival H935 in vintage sunburst

Cherrburst Revival H935 with flame top and double binding
Hardware is gold
Originality of knobs is up for debate

Cherry Revival H935 with flame top and double binding
Hardware is gold but knobs are black

Cherry Revival H935 flame
Pickup covers are clearly gold

Neck made of lighter wood than Deluxe Series
Likely maple neck

Revival logo
Hondo logo is underneath to the right

Hondo Fame H935/MARATHON
Model codes: H935RS (cherry sunburst)
Country: Korea
Factory: Likely Samick
Years of manufacture: Late 80s
Pickups: Unknown covered humbuckers
Body material: Unknown, suspected maple laminate
Neck: Likely maple
Bridge: Nashville style
Tuners: Grover
Hardware: Chrome

Hondo Fame H935
Seemingly identical to it's Revival cousin

From around 1985 onwards, Hondo marketed some of their instruments under the Fame sub-brand, likely as a ploy to once again distance themselves from their earlier reputation for poor quality plywood instruments. Contrary to Hondo's penchant for creating pointy, angular, extreme heavy-metal style guitars in the early 1980s, the Fame brand seemed to concentrate on copies of classic Fender and Gibson guitars.
Once again, the neck and f-holes are bound, there is the larger Nashville style bridge and the pickguard is elongated. Grover tuners are again present and the serial number sticker is printed in exactly the same style as the Revival model.
Below is the only picture of an H935 with a "Made In" sticker that I have been able to find. I can state with 100% certaintly that The Fame H935 was definitely made in Korea. The only anomaly and slight annoyance is that it's serial number does not match with the Tokai database unlike the others I have found. However, as I can see no discernible differences between the two I can be 99.9% sure that this is simply a re-badged Hondo Revival H935. I come to the logical conclusion that the Revival is almost certainly made in Korea, too.
The same guitar has been seen branded as the Marathon Replay.

Fame H935 with Made in Korea sticker
Serial number different from Tokai due to second digit

Neck appears to be maple
Grover tuners remian

Fame logo replaces Revival logo
Hondo name is underneath to the left

Marathon version

Marathon Replay

ANTORIA EG-1935 ROCK-STAR/HARMONY H935
Model codes: EG1935WA (walnut), lightburst uknown, cherry sunburst unknown,
Country: Korea
Factory: Unknown
Years of manufacture: Suspected mid 1980s - early 1990s
Pickups: Unknown uncovered double slug humbuckers (no adjustment screws)
Body material: Unknown "solid top"
Neck: Mahogany (EG1935WA) or maple (others)
Bridge: Nashville style tune-o-matic
Tuners: Generic Schaller style
Hardware: Chrome

Antoria Rock-Star
Made in Korea

The "935" in the Antoria EG-1935 is no coincidence. Walnut models also share the WA suffix with walnut coloured Hondos. There were cherryburst and lightburst models available. Given the range of finishes, it is likely that the Antoria Rock-Star was made at the same factory as the Hondo Revival H935. While the headstock shapes are different, the trapezoid truss-rod cover is also the same, as is the thick Nashville style tune-o-matic bridge. The Antoria, however, does not have a bound neck and headstock like the Revival.
The pickups are also differ from those on the Revival, seemingly being cheap humbuckers with no adjustment screws (unlike the Hondo DiMarzios, these poles are uniformly flat). The tuners are Schaller style.
The headstock logo is the Antoria brand with Rock-Star written underneath in a simple, modern, all-capital font. Some Antoria models exist without the Rock-Star name but appear to have the same specifications.
Antoria guitars made in the 70s were made in the same Japanese factory as the much coveted Ibanez guitars from the same period, many simply being give a different brand name to suit the UK market they were imported for. The owner of the Antoria brand, James T. Coppock Ltd, ceased trading in the early 1980s.
John Lawson acquired the brand thereafter and it appears that guitars branded Antoria were imported from Korea after that point instead of Japan. Certainly, according to Tony Bacon's Ultimate Guitar Sourcebook the Rock-Star was made in Korea and was also sold as the Harmony H935 in the USA.
The label of this Rock-Star states that it has a Solidtop construction (as well as being made for JL Music - John Lawson), which is unusual for 335 style guitars as even high-end Gibson models have a laminated top. Bacon also says that this guitar is claimed to have "double sustain blocks" inside the body, though what affect this is supposed to have on overall tone and sound is not detailed.